Innuan
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    • La Belle Epoque >
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      • The Chanting Marino Marini
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        • No.7 “Thoughts of Death"
        • No.8 "Practice of creation"
        • No.9 “Collaborative Encounter"
        • No.10 “Role of an artistic creator"
      • 2018 - 2019
      • 2017 - 2018 >
        • Innuan at Les Ateliers Courbet
        • Innuan Cornell Residency
      • 2016 - 2017
  • Contact
  • Home
  • About
    • Musician
  • Events
    • La Belle Epoque >
      • Thinking like A Mountain
      • The Chanting Marino Marini
      • German Modernism
    • Archive >
      • Innuan Salon Series >
        • No.7 “Thoughts of Death"
        • No.8 "Practice of creation"
        • No.9 “Collaborative Encounter"
        • No.10 “Role of an artistic creator"
      • 2018 - 2019
      • 2017 - 2018 >
        • Innuan at Les Ateliers Courbet
        • Innuan Cornell Residency
      • 2016 - 2017
  • Contact
Innuan

Innuan Cornell Residency
20th - 26th March, 2018

Saturday 24th March, 2018 7:30pm at Barnes Hall
Sunday 25th March, 2018 3pm at Johnson Museum of Art

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The title creates and reflects the time frame of a print being made--inspired by the exhibition from last year "Escaping the Ordinary: Artistic Imagination in Early Modern Prints." “Imprinting the Moments” signifies the essence of the fundamental of music: every time a piece is written, it’s imprinting that moment in time, creating a world that belongs to its own time frame, only to be revealed during a performance. 


Musician:
Violin - William Wei
Viola - Chieh-Fan Yiu
Cello - –Thapelo Masita
Piano - Han Chen
 
 

Elliot Carter: Catenaires (2006)
Georges Aperghis: Faux Mouvement 
Steven Stucky - Piano Quartet intermission
Johannes Brahms: Piano Quartet No. 3 in C minor, Op. 60 


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Picture